Performances

L.A. Dance Project (на Золотой маске, в Театре Наций)
"Reflections" - Дэвид Ланг "This was written by hand/memory pieces" / Мильпье 
"Winterbranch" - Ла Монте Янг "2 звука" / Каннингем 
"Morgan's Last Chung" - Гат

Notes

ALASTAIR MACAULAY for the NYT: 
Cunningham loved to organize his Events so members of the audience could walk around and so that, with dance occurring on three or five different stages, it was impossible to see all the dancing at one time. For performances of “Ocean,” audience seating was fixed, but no single view was definitely right.

Notes

Alastair Macaulay on Merce Cunningham’s “Septet” ("Ridding a Moody Cunningham Work of Ambiguity, One Gesture at a Time"):
“Septet,” especially its last quartet and sextet, showed that this was a very different work. Many ideas about expression and tradition are being attempted here. The final chain dance always make me think of Matisse’s “Danse” even though it shows a line and not a ring, and the processional exit suggests (as so often with Cunningham) that the movement will continue out of sight.