Alastair Macaulay on Merce Cunningham’s “Septet” ("Ridding a Moody Cunningham Work of Ambiguity, One Gesture at a Time"):
“Septet,” especially its last quartet and sextet, showed that this was a very different work. Many ideas about expression and tradition are being attempted here. The final chain dance always make me think of Matisse’s “Danse” even though it shows a line and not a ring, and the processional exit suggests (as so often with Cunningham) that the movement will continue out of sight.
“Septet,” especially its last quartet and sextet, showed that this was a very different work. Many ideas about expression and tradition are being attempted here. The final chain dance always make me think of Matisse’s “Danse” even though it shows a line and not a ring, and the processional exit suggests (as so often with Cunningham) that the movement will continue out of sight.
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