Verdy encouraged Hyltin [in "La Source"] to make a movement "less modern -– it's still a little romantic. She repeatedly emphasized the
épaulement -– the crucial positioning of the upper body -- that each step required, and offered insights from her years of experience with the ballet, such as "
deploy the roof of your hand" and "
lift the sole of your foot -– it's a Balanchine thing."
Комментариев нет:
Отправить комментарий