In a letter to the New York Review in September 1977, ahead of the ‘Biennale of Dissent’, Ripa di Meana argued that ‘Art inevitably creates a tension between itself and society, its conventions, accepted ideas, established ideologies, prejudices, and conventional morality. How a society absorbs these tensions, how it deals with the defiance posed both by art and ideas – these are questions that have been of concern to the Venice Biennale.’
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