воскресенье, 15 августа 2010 г.

Notes

ALASTAIR MACAULAY (NY Times): "At New York City Ballet — the company that consistently did the most to propagate plotlessness in 20th-century classical ballet — the past season was mainly given over to full-evening story ballets. Of the eight new ballets produced by the company so far in 2010, each by different choreographers, four have been storytelling, while a fifth, Alexei Ratmansky’s “Namouna,” has arcane suggestions of narrative".
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Последний подход представляется наиболее привлекательным, поскольку именно он выделяется из обих рядов (сюжетных и бессюжетных).
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"Mr. Ratmansky, who is also American Ballet Theater’s artist in residence, has created ballets with and without stories. But mainly with, and his storyless ballets have often implied characters, incidents, nonabstract situations".
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Истории неитересны, портреты интересны.
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"The expressive possibilities of ballet are increasingly constricted today by the way it hinges on the dichotomy of gender. Once the genre acquired pointwork in the early 19th century, it acquired a tragic dimension. A heroine on point is existentially different from the hero; she becomes the Other".
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Умный черт! Но кто же раскрывает тайны-то? Предательство...

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